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Film Review: 'The Finest Hours'

Craig Gillespie directed this true story about "the most daring rescue mission in the history of the U.S. Coast Guard.”

LIVE State of the Union Recap And Analysis

Watch USC Annenberg Media's live State of the Union recap and analysis here.

 

'Dontrell, Who Kissed The Sea' Is A Masterpiece In Progress

Comments (0) | 99-seat theater, African American, Benai Boyd, black american, Charles McCoy, Dontrell Who Kissed The Sea, george wallace, Haley McHugh, heritage, Los Angeles theater, Lower Depth Theatre Ensemble, Marlon Sanders, middle passage, nathan alan davis, Omete Anassi, Skylight Theatre, Theater and Dance, USC, Yvonne Huff

Marlon Sanders, Omete Anassi, and the cast of "Dontrell, Who Kissed The Sea" (Photo by Ed Krieger)

Savannah L. Barker
Theater Editor

"Dontrell, Who Kissed The Sea" only scratches the surface of endless possibility.

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Buzz

Film Review: 'The Finest Hours'

Craig Gillespie directed this true story about "the most daring rescue mission in the history of the U.S. Coast Guard.”

LIVE State of the Union Recap And Analysis

Watch USC Annenberg Media's live State of the Union recap and analysis here.

 

The Price of Brotherhood: Arthur Miller's 'The Price' at the Mark Taper

Comments (0) | Alan Mandell, Arthur Miller, Center Theatre Group, drama, john bedford lloyd, Kate Burton, Los Angeles theater, Mark Taper Forum, Sam robards, the price, Theater and Dance

Kate Burton (background) and Sam Robards in Arthu Miller's "The Price" (Photo by Craig Schwartz)

Kelsey M. Tidball
Contributor

36 reasons why your brother is like used furniture (according to Arthur Miller).

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Buzz

Film Review: 'The Finest Hours'

Craig Gillespie directed this true story about "the most daring rescue mission in the history of the U.S. Coast Guard.”

LIVE State of the Union Recap And Analysis

Watch USC Annenberg Media's live State of the Union recap and analysis here.

 

Asking The Tough Questions: Why L.A. Theater Should Lead The Way In Diversity

Comments (0) | Ally Gay & Lesbian Center, Barry Edelstein, Center Theatre Group, Crossing Borders, CTG, diversity, East West Players, ethnicity, Exodus, Lily Janiak, Liz Lin, Los Angeles, Los Angeles theater, Marc Masterson, Michael Ritchie, Nightingale, pasadena playhouse, Patricia Garza, race, Ridley Scott, Rooney Rule, South Coast Repertory, Stage Directors and Choreographers Foundation, TCG, Theater and Dance, Theatre Communications Group, Tim Dang, Title 1, Usual Suspects, Young Leaders of Color

Patricia Garza (Right) leads a diversity workshop.

Savannah L. Barker
Theater Editor

2014 was a tough year for diversity, but what is the L.A. theater community doing to help?

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Buzz

Film Review: 'The Finest Hours'

Craig Gillespie directed this true story about "the most daring rescue mission in the history of the U.S. Coast Guard.”

LIVE State of the Union Recap And Analysis

Watch USC Annenberg Media's live State of the Union recap and analysis here.

 

A Holy Union of Comedy and Tragedy: 'Our Lady Of 121st Street'

Comments (0) | Catholocism, funerals, harlem, Los Angeles theater, new york, Odyssey theatre ensemble, our lady of 121st street, Phillip Seymour Hoffman, teacher, Theater and Dance

John Christopher and Christelle Baguidy. (Tesshi Nakagawa)

Benjamin Noble
Contributor

A funeral, a confession, and stolen dead nun's body...wait, what?

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Buzz

Film Review: 'The Finest Hours'

Craig Gillespie directed this true story about "the most daring rescue mission in the history of the U.S. Coast Guard.”

LIVE State of the Union Recap And Analysis

Watch USC Annenberg Media's live State of the Union recap and analysis here.

 

Theater Review: 'The Musical Of Musicals, The Musical!' At The Chromolume Theatre

Comments (47) | Christina Morrell, Eric Rockwell, Jason Chacon, Jason Peter Kennedy, Jean Altadel, Joanne Bogart, Kristin Towers-Rowles, LA Theatre, Los Angeles theater, The Musical of Musicals The Musical, Theater and Dance, theatre review

Christina Morrell shines as Aunt Abby. Photo by James Esposito.

Gigi Gastevich
Staff Writer

The show is a funny, self-aware romp through all of the most pompous musical clichés. 

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