Theater Review: 'A Parallelogram' At The Mark Taper Forum
“A Parallelogram” is a clever play that tackles philosophical questions regarding life and perceived reality. Anna D. Shapiro’s direction is equally as smart, with subtle hints and movements throughout the beginning of the production that bubble up into massive epiphanies that jerk the audience around as the play progresses. The set (Todd Rosenthal) is dynamic and sharp, allowing for smooth and particularly effective transitions; it also blends well with the lighting design (James F. Ingalls) and the sound design (Rob Milburn and Michael Bodeen) to create a cohesive world in which “A Parallelogram” takes place.
The production builds upon itself during the first act and ultimately leads up to an even stronger second act, which is no small feat and incredibly rare. There is a delicate balance of humor and seriousness to “A Parallelogram” that Shapiro has taken great care to successfully uphold.
What is also impressive is the cast, with each member shining brilliantly in their respective roles. Ireland’s ability to throw line after line in a spitfire manner is matched by Irwin’s meticulously choreographed movements and Burke’s seamlessly switching between interactions with the audience and her fellow actors.
“A Parallelogram” is not to be missed. A love for philosophical debates is not a requirement to enjoy this production, although it is certainly a plus. It is an artistically done production that skillfully and cleverly asks existential questions through dark comedy.
“A Parallelogram” is playing at the Mark Taper Forum (135 N. Grand Ave. Los Angeles, CA 90012) through August 18th. Tickets are $40-$70. For more information, visit centertheatregroup.org.