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Theater Review: 'A Parallelogram' At The Mark Taper Forum

Liffany Chen |
July 27, 2013 | 7:10 a.m. PDT

Staff Contributor

Marylouise Burke, Marin Ireland, and Tom Irwin in "A Parallelogram". Photo by Craig Schwartz
Marylouise Burke, Marin Ireland, and Tom Irwin in "A Parallelogram". Photo by Craig Schwartz
In “A Parallelogram” (written by Bruce Norris) the audience watches Bee (Marin Ireland), who seems to have the ability to know what happens in the future via visitations from her future self (Marylouise Burke), live through her life. As she discovers more about the future, her view on life as well as that of her boyfriend Jay (Tom Irwin) and the future of the world changes. With newfound knowledge, questions of whether Bee can, or should, attempt to change her future are raised. 

“A Parallelogram” is a clever play that tackles philosophical questions regarding life and perceived reality. Anna D. Shapiro’s direction is equally as smart, with subtle hints and movements throughout the beginning of the production that bubble up into massive epiphanies that jerk the audience around as the play progresses. The set (Todd Rosenthal) is dynamic and sharp, allowing for smooth and particularly effective transitions; it also blends well with the lighting design (James F. Ingalls) and the sound design (Rob Milburn and Michael Bodeen) to create a cohesive world in which “A Parallelogram” takes place.

The production builds upon itself during the first act and ultimately leads up to an even stronger second act, which is no small feat and incredibly rare. There is a delicate balance of humor and seriousness to “A Parallelogram” that Shapiro has taken great care to successfully uphold. 

What is also impressive is the cast, with each member shining brilliantly in their respective roles. Ireland’s ability to throw line after line in a spitfire manner is matched by Irwin’s meticulously choreographed movements and Burke’s seamlessly switching between interactions with the audience and her fellow actors. 

“A Parallelogram” is not to be missed. A love for philosophical debates is not a requirement to enjoy this production, although it is certainly a plus. It is an artistically done production that skillfully and cleverly asks existential questions through dark comedy. 

“A Parallelogram” is playing at the Mark Taper Forum (135 N. Grand Ave. Los Angeles, CA 90012) through August 18th. Tickets are $40-$70. For more information, visit centertheatregroup.org.

Reach staff contibutor Liffany Chen here.


 

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