Sci-Fi Allegories and Next Year's World Cup Host
In late June 2006, I met up with a friend in Frankfurt, Germany for two weeks of backpacking through Central Europe. Having never been much of a soccer fan, other than playing the sport recreationally for several years, I saw the FIFA World Cup as a nice addition to our travels, though not the inherent purpose. With typical American soccer-ignorance, the fans to us became almost part of the scenery everywhere we went; it wasn't until much later that I realized we had witnessed something quite fantastic.
During my first night in Frankfurt, I found myself surrounded by chain-smoking Italian fans along the Main River, where a giant two-sided screen had been erected in the waterway, which allowed viewing from grandstands on both banks. Later, I shared beers at a makeshift table in the middle of a cobblestone street, and watched a small TV set with Brazilian fans in swimsuits who danced impromptu Samba during the commercial breaks. That night I was crammed on a Prague-bound train with cars and cars full of Korean fans wearing team jerseys and carrying flags. The next day, I followed a man wrapped in the Mexican flag through Prague's famous Jewish cemetery. Then, I chatted with two Chilean soccer players in a small square, while we sat around a projection of the coverage and watched German fans painted in yellow, black and red yell for their team on the big screen.
Far from many fears of nationalistic and racial violence (aside from one minor conflict among British fans in Cologne), the World Cup experience was one of the most uplifting global events I ever witnessed, before or since. Most incredible of all, to be sure, was the evening my friend and I wandered through Munich's Hofbrauhaus. Each table in the giant bier hall hosted lively groups of all nationalities, all in good spirits. Having avoided the tension of a live game in the stadium, I'm sure our experience was skewed. However, reports on the 2006 World Cup were positive for the most part, even highlighting German patriotism as an important step in overcoming the dark nationalism of their past.
As the qualifying results for next year's World Cup trickle in and South Africa completes the necessary infrastructure to host the large-scale event, some of the same questions of national identity and the possibilities of violent conflict - in a country where immigrants are largely discriminated against - are being investigated. And, in incredibly timely fashion, this summer's surprising sci-fi blockbuster, "District 9," has brought many of these questions into the popular global conversation.
To summarize: the film takes place in present-day Johannesburg. It has been almost 20 years since the arrival of an alien ship, which sits stranded above the city, and its passengers have been relegated to a fenced-off slum within the city. There they live in squalor, surviving on raw meat, scavenged trash, and cans of cat food (which becomes as addictive as a drug to them) and are consequently exploited by Nigerian gangs who share the residential slum areas with the aliens. Their behavior is misunderstood and feared by the upper classes and the story begins with the hatching of a government-sponsored corporate initiative to move the aliens to another area outside the city, where presumably they would cause less trouble. The metaphors of racial inequality in "District 9" are obvious, and for a country that abolished state-sanctioned racism only 15 years ago, they are important. South Africa is showing the world that, as a nation, they are taking part in critical reflection about this painful history.
Next year's tournament will be the first time the World Cup soccer competition has landed on the African continent, and resulting issues of racism are inherent. Interestingly, some of the strongest concerns at the 2006 World Cup in Germany were surrounding neo-Nazi groups from the United Kingdom and other European countries, but Germany achieved a successful event by retaining an attitude of positivity and encouraging patriotism over nationalism. Similarly, I believe that South Africa's willingness to address its deep-seeded internal conflicts in such an open forum (the blockbuster summer film) will do much to set the tone for next year's event.
If we don't talk about our collective history, events like the World Cup have the potential to re-open old wounds. But as the world's most popular sport and one of the most widely attended and publicized popular events on Earth, the Cup has more potential to bring us all together than to push us further apart.




Comments
Some may not care about the travelogues, but I believe in this context, it adds to the column. Minus the Olympics, the World Cup is one of the few sporting events in the world that has managed to bring nations that would never see the light in each other's territory possible.
Phillips' description is but a mere tool to let others understand the fervor and camaraderie that this event brings.
Readers,
Upon some further research, I've come to find that District 9 raises far more questions than the (idealistic) few I've posed in this piece. Any film with this strong a message, and a problematic one at that, is bound to incite difficult discussions. I believe this was a major reason for making such a film, but I don't necessarily believe the issues were addressed appropriately within the film and behind the scenes of production.
I call attention to one article from the Guardian (http://www.guardian.co.uk/world/2009/sep/02/district-9-soweto-residents-...). Should the discussion continue here on this site, please let's do our best to be respectful of each other. I look forward to hearing all thoughts on District 9.
Thanks for the comments.
Adam, I agree that I can't possibly comprehend the full extent of racial tensions existing in South Africa today, as I have never been there. However, the writer/director of District 9, Neill Blomkamp, is indeed South African by birth. This was my reasoning for presuming that the film spoke from a South African point of view. I would be curious how you would categorize the "nationality" of the film, if you perceived it differently, and what you think was the message of the story.
Megamama, the description of my 2006 World Cup experience was intended to highlight the global nature of such an event and the positive things this can achieve. I apologize if you found it superfluous to the commentary, but I didn't feel this piece would have held together if I had left it out.
James, I think the toughest issues raised in District 9 were the most universal - discrimination and economic disparities exist all over the world. There is a lot more than can be said about the intentions of the film, but I believe it certainly succeeded in starting a thoughtful conversation on many of these things. Thank you for raising that.
Pay no attention to those above. I AM South African, born in Joburg, and agree with you a hundred percent. No, this film was not made by South Africans, but it is no accident that it was placed there. It is an accurate reflection of both our apartheid past and our turbulent present. It at once illustrates the horror that was the pre-Mandela period. That's the obvious part. But it also speaks to our present situation, which is far from utopian. To me one of the messages was that, for sure, South Africans are like everybody else. They are capable of being both victims. And victimizers. I loved the movie and very much appreciate your review, finding it very insightful from someone who is not a native-born South African.
I don't care about your vacation travelogues -- save it for your diary.
There's not a viable link between district 9 and the world cup -
This film is not even south african.
Your big blanket terms about south africa fail to comprehend actual racial tensions existing in the country today.
don't write about things you do not know.